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X-WR-CALDESC:Events for Housmans Bookshop
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260904T190000
DTEND;TZID=Europe/London:20260904T203000
DTSTAMP:20260821T095640Z
CREATED:20260413T154853Z
LAST-MODIFIED:20260821T095640Z
UID:77658-1788548400-1788553800@housmans.com
SUMMARY:Book Launch: Liquid Reflections with Liliane Lijn
DESCRIPTION:We are profoundly honored to be hosting the paperback launch for a memoir by one the world’s greatest living artists\, the sculptor Liliane Lijn\, who will be joined in conversation by leading art writer Jennifer Higgie.\n\n\n\nPhoto credit: Clay Perry \n\n\n\nLiliane Lijn is an artist who needs little introduction. Her stirring\, often ostentatious and always poetic works are dotted throughout the British urban landscape\, and overseas. Regular visitors to Housmans will have no doubt seen her recent piece Temenos just up the road from us\, near Granary Square. \n\n\n\nWe will host Liliane September 4th to launch the paperback edition of her brilliant bildungsroman Liquid Reflections. The book begins in 1958 with the talented and fearless Liliane Lijn leaving her family home and moving to Paris alone to become an artist. Once there\, she found an art world filled with the wild energy of creative revolution – peopled and controlled almost entirely by men. In the years that followed\, Lijn built a life for herself in the city. She embraced the hectic bohemian spirit of the Left Bank. She befriended artists\, painters\, poets\, gallerists and revolutionaries\, as the late Surrealists gave way to a burgeoning Pop Art movement. She had disastrous love affairs with difficult men. She experimented boldly\, creating ground-breaking sculptures with light\, text and movement. And as her profile steadily grew\, she was told again and again that there are no great women artists: ‘There never have been.’ \n\n\n\nLiquid Reflections is her memoir of these years of experiment and adventure – years when Lijn was constantly in motion\, from Paris to New York to Venice to Athens\, from paper and canvas to wax and Perspex to oil and water. In love\, she became pregnant but rebelled against the idea that a woman could not be both a great artist and a mother. And she sought – and found – radical pleasure in the act of creative expression and in the living\, sensuous world around her. \n\n\n\nBased on personal diaries from the time\, this is a riveting and revelatory account of a singular coming of age: a glittering portrait of the artist as a young woman. \n\n\n\n‘I wrote LIQUID REFLECTIONS because I wanted to take my readers on the journey I made to become an artist. It’s the story of an idealistic\, inspired young woman who refuses to accept the prejudices of her time. Becoming an artist was also a search for my own identity…’  — Liliane Lijn \n\n\n\nLiliane will be conversation with the art writer Jennifer Higgie\, author of numerous books\, her most recent being The Other Side: A Journey into Women\, Art and the Spirit World\, the first major work of art history to focus on women artists and their engagement with the spirit world.  \n\n\n\nThis is going to be an extremely special event and we are delighted to be hosting it. Please do book a ticket in advance to avoid disappointment on the night.  \n\n\n\nLiliane and Jennifer will talk for around 45 minutes to an hour\, followed by an open discussion with the audience. \n\n\n\nAs always\, tickets are priced on a sliding scale. If you are unable to pay for a ticket please do not hesitate to contact us at shop@housmans.com\, and a free ticket will be made available. \n\n\n\nIf you choose ‘book + entry’ your copies of the book will be available to collect on the evening. If you would like to collect it earlier\, or arrange for delivery\, please contact us (postage is £2.95). Telephone 020 7837 4473 or email shop@housmans.com. \n\n\n\nDoors Open at 6:45pm\, Event Starts 7:00. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nShare this:\n				Share on X (Opens in new window)\n				X\n			\n				Share on Facebook (Opens in new window)\n				Facebook\n			\n				Share on Insta (Opens in new window)\n				Insta\n			Like this:Like Loading…
URL:https://housmans.com/event/book-launch-liquid-reflections-with-liliane-lijn/
CATEGORIES:Book Launch,Book Talk,In Store
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260912T190000
DTEND;TZID=Europe/London:20260912T210000
DTSTAMP:20260804T135202Z
CREATED:20260804T122203Z
LAST-MODIFIED:20260804T135202Z
UID:81144-1789239600-1789246800@housmans.com
SUMMARY:Housmans Poetry Series: Jay Gao
DESCRIPTION:For our next poetry evening we welcome to London the marvellously talented Jay Gao! He will be launching his mysterious\, stirring new collection\, ‘The Dead One\, The Unconscious One\, Thundering in your ear\, Thriving Slumber’\, published by Carcanet.  \n\n\n\nJoining him we welcome a whole host of incredible poets: Dom Hale\, Alycia Pirmohamed\, Victoria Adukwei Bulley\, Azad Ashim Sharma\, Will Harris\, Nina Mingya Powles\, and Mantra Mukim. \n\n\n\nOUR POETS:\n\n\n\nJay Gao is a poet and writer from Edinburgh\, Scotland\, living in New York City. His second poetry collection The Dead One\, The Unconscious One\, Thundering in Your Ear\, Thriving Slumber is forthcoming in Fall 2026 from Nightboat Books and Carcanet Press. His debut collection Imperium (2022) was a winner of the 2023 Michael Murphy Memorial Prize\, an Eric Gregory Award\, and a Somerset Maugham Award. \n\n\n\nDom Hale is an editor of Ludd Gang\, the magazine of the Poets’ Hardship Fund\, and Chaff Press. His recent books of poetry include First Nettles (The Last Books\, 2025) and Faint Portal (Distance No Object\, 2023)\, as well as two collaborations with the poet Tom Crompton: Mud Ramps\, an essay on poetics\, and Earthstepper\, two translations from the Exeter Book (both Gong Farm\, 2025 and 2026). \n\n\n\nAlycia Pirmohamed is the author of the collection Another Way to Split Water and a co-author of the collaborative pamphlet this too is a glistening. Her nonfiction debut Shorelines is newly out with Canongate Books\, and her second book of poems\, Then the Lake Shifts is forthcoming next year.  \n\n\n\nVictoria Adukwei Bulley is a poet\, writer\, and artist whose work has appeared widely in publications including the London Review of Books\, LitHub\, and The Atlantic. She is the winner of an Eric Gregory Award\, and her critically acclaimed debut poetry book\, QUIET\, won the Folio Prize for Poetry\, the John Pollard International Poetry Prize\, and was shortlisted for the T. S. Eliot Prize. QUIET is published by Faber in the UK and in North America by Alfred A. Knopf. \n\n\n\nAzad Ashim Sharma is the director of the87press and as Editor at Philosophy and Global Affairs\, the CLR James Journal\, and The Hythe Review. He is a PhD Candidate in English and Humanities at Birkbeck College\, University of London. He is the author of three poetry collections\, most recently\, Boiled Owls (Nightboat Books / Out-Spoken Press\, 2024) which was shortlisted for the Jhalak Poetry Prize. His second collection Ergastulum: Vignettes of Lost Time (Broken Sleep Books\, 2022) was the recipient of the Caribbean Philosophical Association’s Guillén Award. In July 2025\, Azad was inaugurated as the Poet Laureate of the Caribbean Philosophical Association. He lives in South London. \n\n\n\nWill Harris is a London-based writer. He is the author of the poetry books RENDANG (2020) and Brother Poem (2023)\, published by Granta and Wesleyan University Press\, and the essay Mixed-Race Superman (Peninsula Press\, 2018). He has won the Forward Prize for Best First Collection and been shortlisted for the T.S. Eliot Prize. He co-translated Habib Tengour’s Consolatio (Poetry Translation Centre) with Delaina Haslam in 2022\, and helps facilitate the Southbank New Poets Collective with Vanessa Kisuule. Siblings\, a conversation between Harris\, Jay Bernard\, Mary Jean Chan\, and Nisha Ramayya\, was published by Monitor Books in 2024. He received a Burgess Fellowship from the University of Manchester and was a Fellow at the Institute for Ideas & Imagination in Paris from 2024-25. He is currently working on a project about social care.  \n\n\n\nNina Mingya Powles is a writer and poet from Aotearoa New Zealand\, currently based in London. She is the author of a food memoir\, Tiny Moons\, and a collection of essays\, Small Bodies of Water. Her debut poetry collection Magnolia was a finalist for the Ondaatje Prize\, the New Zealand Book Awards\, and the Forward Prize for Best First Collection. Her most recent poetry collection\, In the Hollow of the Wave\, was published in 2025. She is currently working on a book about fabric\, sewing and memory.  \n\n\n\nMantra Mukim is a poet and essayist from Raipur\, India\, currently based in Oxford. His debut collection\, Glitchwork (the87press)\, came out in April 2026. \n\n\n\nThis is a free event\, though you may reserve a copy of Jay’s book if you wish. \n\n\n\n\n\n\n\n\n\n\nShare this:\n				Share on X (Opens in new window)\n				X\n			\n				Share on Facebook (Opens in new window)\n				Facebook\n			\n				Share on Insta (Opens in new window)\n				Insta\n			Like this:Like Loading…
URL:https://housmans.com/event/housmans-poetry-series-jay-gao/
CATEGORIES:In Store
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260915T190000
DTEND;TZID=Europe/London:20260915T203000
DTSTAMP:20260825T092629Z
CREATED:20260727T162821Z
LAST-MODIFIED:20260825T092629Z
UID:80689-1789498800-1789504200@housmans.com
SUMMARY:NEW DATE: 'The Rulers:Corporate Power in the Age of AI and the Cloud' by Cecilia Rikap
DESCRIPTION:Join us for the launch of this brilliant analysis of capital accumulation in the AI era that charts a roadmap for battling against the predatory concentration of knowledge\, data and narratives in the hands of Big Tech\, by award winning economist Cecilis Rikap\, in conversation with Aisha Down\, Tech Correspondant at The Guardian. \n\n\n\nCapitalism’s rulers are not abstract entities or shadowy operators. Amazon\, Microsoft and Google are the cloud hegemons that subsume the world through the exercise of their intellectual monopolies. Giants like Disney\, McDonalds\, Nike or Walmart depend on them to use AI for knowledge and value extraction and for disciplining workers. States see some of their core functions sequestered. Innovation is not a free and neutral game\, but a hierarchy topped by the rulers. \n\n\n\nCecilia Rikap’s new theoretical framework is grounded in a unique trove of 112 interviews at the world’s largest firms and data on venture capital\, acquisitions\, open source\, AI conferences and patents. They picture a map of the complexities and political implications of corporate power. In Rikap’s counterimage\, technology is developed by the people and for the people and the planet through democratic planning. \n\n\n\nOur Speakers:  \n\n\n\nCecilia Rikap is an Associate Professor in Economics and Head of Research at the University College London’s Institute for Innovation and Public Purpose. She is also a tenure researcher of the CONICET\, Argentina’s national research council\, and associate researcher at COSTECH lab\, Université de Technologie de Compiègne. She is the author of Capitalism\, Power and Innovation: Intellectual Monopoly Capitalism Uncovered (Routledge)\, which recently won the EAEPE Joan Robinson Prize Competition\, and The Digital Innovation Race: Conceptualizing the Emerging New World Order (Palgrave)\, the latter co-authored with B.A.K. Lundvall. \n\n\n\nAisha Down is an investigative journalist based in London\, covering artificial intelligence for The Guardian. She spent six years at OCCRP reporting on financial crime in the Middle East and Sahel. Her work has appeared in The Guardian\, Al Jazeera\, NPR and other outlets. Her investigation into a multi-billion-dollar money laundering scheme at the Central Bank of Iraq won a 2024 SABEW award for international reporting. She began her career at The Cambodia Daily\, Cambodia’s award-winning national paper. She holds a degree in Physics and English from Harvard University. \n\n\n\nPLEASE NOTE THIS EVENT HAS BEEN MOVED TO SEPTEMBER 15TH\n\n\n\nCecilia and Aisha will be in conversation for around 45 minutes to an hour\, followed by an open discussion with the audience. \n\n\n\nAs always\, tickets are priced on a sliding scale. If you are unable to pay for a ticket please do not hesitate to contact us at shop@housmans.com\, and a free ticket will be made available. \n\n\n\nIf you choose ‘book + entry’ your copies of the book will be available to collect on the evening. If you would like to collect it earlier\, or arrange for delivery\, please contact us (postage is £2.95). Telephone 020 7837 4473 or email shop@housmans.com. \n\n\n\nDoors Open at 6:45pm\, Event Starts 7:00. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nShare this:\n				Share on X (Opens in new window)\n				X\n			\n				Share on Facebook (Opens in new window)\n				Facebook\n			\n				Share on Insta (Opens in new window)\n				Insta\n			Like this:Like Loading…
URL:https://housmans.com/event/book-launch-the-rulerscorporate-power-in-the-age-of-ai-and-the-cloud-by-cecilia-rikap/
CATEGORIES:In Store
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BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260916T190000
DTEND;TZID=Europe/London:20260916T203000
DTSTAMP:20260714T154213Z
CREATED:20260714T154210Z
LAST-MODIFIED:20260714T154213Z
UID:80482-1789585200-1789590600@housmans.com
SUMMARY:WILD FOLKLORE AND UNRULY WOMEN
DESCRIPTION:Elizabeth Sulis Kim and Brigid Lowe in conversation\n\n\n\nThe bear deities\, Artio and Artaius\, who’ll rise from sleep; the salmon of wisdom who gifts understanding of the universe’s past\, present and future; the Lion Man carved 40\,000 years ago. Three determined women plot against an ambitious sorcerer\, they are queen Goewin\, the reclusive sorceress Arianrhod\, and Blodeuwedd\, a woman conjured from flowers. \n\n\n\nWhat can we still learn from the ancient\, half-forgotten mythologies of these isles? What can they teach us about ourselves\, about sex\, gender and the role of women in folklore? Two new works at these complex questions in different\, equally engaging and exciting ways. \n\n\n\n Elizabeth Sulis Kim’s The Book of Beasts (Penguin\, 2026) is modern bestiary with an ancient heart\, in it we meet twelve emblematic animals that can help us restore our relationship with the natural world. Steeped in folklore\, mythology\, magic and religion\, The Book of Beasts tells the story of our shapeshifting relationships with animals\, from reverence to persecution\, friendship to fear\, awe to indifference. It asks us what we actually know about the creatures we share this world with – and offers us a different way of living together. \n\n\n\nWhereas Brigid Lowe’s novel The Bloody Branch draws out from celtic mythology some strikingly contemporary concerns. Three powerful heroines unite to avenge themselves on the most dangerous man in ancient legend\, Gwydion a powerful sorcerer whose ambition and cruelty wreak havoc across the kingdom. When at last the earth itself is put at stake\, Goewin\, Arianrhod and Blodeuwedd each unleash their uncanny powers to challenge him. In this vital and visceral novel\, Brigid Lowe casts ancient light on desire\, sex and our relationship with nature to bring these Celtic heroines to explosive\, sensuous\, blossoming new life. \n\n\n\nWe are delighted that Brigid and Elizabeth are able to join for an evening of discussion on the common themes in their work; they will be talking about folklore\, the occult\, Ancient Albion and unruly women.  \n\n\n\nOur Speakers:  \n\n\n\nElizabeth Sulis Kim‘s writing has appeared in places such as BBC Culture\, Mslexia\, Hellebore\, Fiddler’s Green\, Litro\, The Guardian\, The Independent\, Refinery29\, and the LA Review of Books. She is the founding editor of Cunning Folk\, the popular independent magazine about magic\, mythology\, folklore and the occult. She grew up in the rural West Country and now lives in Scotland. \n\n\n\nBrigid Lowe grew up in a remote Welsh-speaking community on Ynys Môn\, with her younger sister and Irish immigrant parents. She now lives with her children in that part of Scotland known as Yr Hen Ogledd – The Old North – formerly joined with Wales in one Cumbric nation. She studied literature at Bangor\, completed a doctorate at Oxford\, and went on to teach and research at Sheffield and Cambridge Universities\, publishing a book and many essays on the art of fiction. Brigid traces her descent from travellers\, circus performers\, mill workers and gallowglass warriors. She takes photographs of flowers\, forages her food\, clambers pinnacles\, and swims in ice and caves and bottomless pools. \n\n\n\nAs always\, tickets are priced on a sliding scale. If you are unable to pay for a ticket please do not hesitate to contact us at shop@housmans.com\, and a free ticket will be made available. \n\n\n\nIf you choose ‘book + entry’ your copies of the book will be available to collect on the evening. If you would like to collect it earlier\, or arrange for delivery\, please contact us (postage is £2.95). Telephone 020 7837 4473 or email shop@housmans.com. \n\n\n\nDoors Open at 6:45pm\, Event Starts 7:00. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nShare this:\n				Share on X (Opens in new window)\n				X\n			\n				Share on Facebook (Opens in new window)\n				Facebook\n			\n				Share on Insta (Opens in new window)\n				Insta\n			Like this:Like Loading…
URL:https://housmans.com/event/wild-folklore-and-unruly-women/
CATEGORIES:Feminist event,In Store
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END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20260930T190000
DTEND;TZID=Europe/London:20260930T203000
DTSTAMP:20260804T114829Z
CREATED:20260804T114036Z
LAST-MODIFIED:20260804T114829Z
UID:81132-1790794800-1790800200@housmans.com
SUMMARY:CHARITY SHOP WORLD! with Tansy E. Hoskins
DESCRIPTION:WE ARE DELIGHTED TO WELCOME TANSY E. HOSKINS TO HOUMANS TO TALK ABOUT HER GROUNDBREAKING\, MOVING NEW STUDY OF CHARITY SHOPS AND THE ROLES THEY PLAY IN MODERN CONSUMERIST CULTURE. \n\n\n\n‘Charity shops are ubiquitous and invisible. They anchor the high street\, employ thousands\, process millions of items. Yet far more is written about AI than this staple of 21st century Britain. Thank goodness\, then\, for Tansy Hoskins\, who deftly shows how the charity shop is both an escape from consumerism and an essential part of global capitalism. This is a rich and surprising book\, which takes you both to Accrington and Bangladesh\, providing financial expose as well as character studies.’— Aditya Chakrabortty\, Senior Economics Commentator\, The Guardian \n\n\n\nHave you ever wondered what happens to the contents of the bags you drop off at the charity shop? With over 80 billion pieces of clothing produced each year and with human made stuff now outweighing living biomass\, this is the story of the first sorting site for the deluge of items we discard every single day. Having spent decades exploring charity shops for bargains and treasure\, Tansy Hoskins decided to dig deep into the world of charity shop volunteering. From used underwear to wolf pelts\, Charity Shop World is a personal account of sorting through donations to reveal the entanglement of people and products. This book also investigates the export of clothes to overseas markets and landfill\, revealing hidden shareholders behind a multi-million pound business. \n\n\n\nTaking us to the heart of a country hit by austerity and the cost of living crisis\, Charity Shop World reveals surprising places of human connectivity\, where local communities struggle to find their way through economic hardship to reach a more sustainable way of living. \n\n\n\nIn a world where ‘broken’ things and ‘unwanted’ people are expelled to the margins of society\, this book is a powerful call for a new way of living to rise up from the debris of overproduction and consumption. \n\n\n\n‘A story of what happens to the leftovers of capitalism. Within the places of possibility\, persistence and promise there is hope. Beautifully told\, carefully bundled\, expertly delivered. Tansy Hoskins’ Charity Shop World is a page turner.’— Danny Dorling\, author of The Next Crisis: What We Think About the Future \n\n\n\n‘What might fashion design look like as a public resource based on community and cooperation?  Charity Shop World answers that question by reconnecting us to the humanity underpinning every aspect of fashion\, everything that Big Fashion\, as Tansy calls it- chooses to ignore and exploit. Tansy’s sensitive and warm account of working in a charity shop offers a microcosm of what’s best and what’s worst in today’s fashion system and reveals how another fashion world is possible.  Fashion designers\, students and educators need to centre the end of life of garments from the very start of the design process and critically address waste colonialism in fashion – Charity Shop World should be on all fashion reading lists. Tansy asks us to reflect on\, ‘What do we truly need?’; it’s time for Big Fashion to answer that same question for the future of our people\, species and planet.’—Tanveer Ahmed\, Senior Lecturer in Fashion and Race\, Central Saint Martins\, University of the Arts London \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nShare this:\n				Share on X (Opens in new window)\n				X\n			\n				Share on Facebook (Opens in new window)\n				Facebook\n			\n				Share on Insta (Opens in new window)\n				Insta\n			Like this:Like Loading…
URL:https://housmans.com/event/charity-shop-world-with-tansy-e-hoskins/
CATEGORIES:In Store,Literary Event
ATTACH;FMTTYPE=image/jpeg:https://housmans.com/wp-content/uploads/2026/08/images.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/London:20261107T190000
DTEND;TZID=Europe/London:20261107T203000
DTSTAMP:20260825T122230Z
CREATED:20260825T115540Z
LAST-MODIFIED:20260825T122230Z
UID:81910-1794078000-1794083400@housmans.com
SUMMARY:PANEL TALK: PUBLISHING AS COLLECTIVE INFRASTRUCTURE with Minor Compositions
DESCRIPTION:What if a book wasn’t an endpoint but an infrastructure?\n\n\n\nPlease join us for the launch of Publishing as Collective Infrastructure. This title is less a ‘book’ than it is a radical rethinking of the book-form itself; formulated as a collectively authored\, polyphonic work; an intervention into the realms of academic and open-access publishing. The project is grounded in experimentation and the bridging of theory and practice. It works to challenge proprietary software and big-tech dependency\, orientating itself towards a future mode of publishing that must address the direct crises of precarity and education.  \n\n\n\nPublishing as Collective Infrastructure challenges the idea of the book as a fixed object and reimagines publishing as a collective\, political\, and infrastructural practice. Emerging from the ServPub project\, this book brings together artists\, academics\, technologists\, feminist server collectives\, and experimental publishers to expose how contemporary publishing is shaped by extractive platforms\, proprietary software\, unpaid labour\, and opaque infrastructures. Against this backdrop\, the authors develop and document alternative models grounded in free and open-source tools\, collective authorship\, feminist care practices\, and self-hosted\, small-scale infrastructures. \n\n\n\nBlending theory\, documentation\, and reflection\, the book explores publishing as a full-stack practice:  spanning writing\, design\, software\, servers\, logistics\, and governance. It addresses topics including ambulant servers\, wiki-to-print workflows\, versioning and forking books\, radical referencing\, and autonomous publishing\, while situating these practices within broader debates on infrastructure\, open access\, and knowledge politics. Rather than offering a blueprint\, Publishing as Collective Infrastructure functions as a living experiment and pedagogical resource. It invites readers to think with – and work through – the infrastructures that make publishing possible\, and to imagine how knowledge might be produced and shared otherwise. \n\n\n\nBio: Publishing as Collective Infrastructure does not have a single\, unified author. Instead\, it is a polyphonic work shaped by the shared labor\, ideas\, and practices of multiple collectives and projects working across experimental publishing\, feminist infrastructure\, open-source design\, and autonomous knowledge production. The book emerges from collaborations involving In-grid\, Minor Compositions\, noNames\, Shape\, and Systerserver\, with contributions from Constant\, Creative Crowds\, Hackers & Designers\, OBF Experimental Publishing Group\, TITiPI\, & Varia. Together\, these groups contribute situated perspectives\, technical practices\, and collective forms of authorship that reflect the book’s commitment to publishing as a social\, infrastructural\, and political process. \n\n\n\nAs always\, tickets are priced on a sliding scale. If you are unable to pay for a ticket please do not hesitate to contact us at shop@housmans.com\, and a free ticket will be made available. \n\n\n\nIf you choose ‘book + entry’ your copies of the book will be available to collect on the evening. If you would like to collect it earlier\, or arrange for delivery\, please contact us (postage is £2.95). Telephone 020 7837 4473 or email shop@housmans.com. \n\n\n\nDoors Open at 6:45pm\, Event Starts 7:00. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nShare this:\n				Share on X (Opens in new window)\n				X\n			\n				Share on Facebook (Opens in new window)\n				Facebook\n			\n				Share on Insta (Opens in new window)\n				Insta\n			Like this:Like Loading…
URL:https://housmans.com/event/panel-talk-publishing-as-collective-infrastructure-with-minor-compositions/
CATEGORIES:In Store
ATTACH;FMTTYPE=image/jpeg:https://housmans.com/wp-content/uploads/2026/08/ServPub-cvr.jpg
END:VEVENT
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